I arrived in Paris at 6:00 AM on the 29th of December, and after I came at the Airbnb, I went to the Bastille Opera House in the afternoon to acquire some information regarding the “Youth tickets.”
I don’t know if that’s the correct term, but if you’re under 28 and there are seats available for that show for that day, you’re able to buy a 215€ worth orchestra ticket for 35€. All you need to do is go 30 mins before the show starts, and if they have availability, you show your ID to prove they you’re under 28 and, voila! You can see the opera. And since the Airbnb that I stayed in was ten mins walking distance from the Bastille Opera House, I was able to ask for information about the availability of the tickets and see the show!
I feel so lucky that I was able to see “La Boheme” in Paris. My words cannot express my happiness. I’ve been to the Palais Garnier Opera House but not to Bastille Opera House! And this was the inside of the Opera House. I had a pretty decent seat, and this was the view from my seat.
The background for this particular performance of “La Boheme” was in space. Rodolfo was in outer space, and as he was dying in space on the spaceship, he reminisces Mimi while slowly running out of oxygen.
At first when I read information about La Boheme in a space background… I was opposed and appalled by this bold experiment of setting the background of this most loved classic, renowned opera in space. I mean what?!?! I was highly doubtful about this bold attempt.
But when I read what the director was trying to portray about how looking at the past from the future accentuates the tragedy of the love relationship that Mimi and Rodolfo had, I fell in love with every part of this bold attempt. It did work.
Rodolfo sees Mimi, hallucinating the past, he looks at the history, sees what has happened as if it is happening in the present and Rodolfo in space, tries to touch Mimi, but he’s not able to hold her because she isn’t there. She’s the past. It was heartbreaking to see that, how the future is linked to the history that makes us miss our loved ones even more dearly.
A tenor named Benjamin Bernheim played Rodolfo, and he was terrific. As soon as he opened his mouth and started singing… It was just pure magic!
I wish I would be able to see his debut at the Metropolitan Opera House!
This blog is like a diary for me to jot down a few of my thoughts:)